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Fri, 2011-12-16 13:22Brendan DeMelle
Brendan DeMelle's picture

Andy Revkin Interviews Franke James On Dot Earth: Canada's Approach To Inconvenient Art

Andy Revkin has a great interview with Canadian artist Franke James on his Dot Earth blog at The New York Times.

DeSmogBlog previously covered the harrasment and censorship that Franke James says she experienced at the hands of the Harper government, which worked in strangely aggressive ways to block the 20-city European tour of a climate change art exhibit that included her work. Apparently the Harper government does not appreciate the fact that Franke's artwork over the years has been highly critical of the Canadian government's failure to address climate change.

Revkin's piece, Canada's Approach to Inconvenient Art, includes an interview with Franke that is definitely worth reading. Franke provides some updates about the results from her Freedom of Information requests to the Harper government, including the news that:

This week, the Green Party of Canada submitted a formal order question to Parliament. See number 380. The Canadian Government has 45 days to respond in writing.

Franke James explains to Revkin that: 

Jeremy Wallace, Deputy Director of Climate Change at DFAIT, deemed my artwork “not be consistent with our interests and approach … and [that it] would in fact run counter to Canada’s interests more broadly.”

In new ATIP [Access to Information and Privacy Act] documents received this week, one email from an Ambassador’s office is particularly interesting as it singles out my Fat Cat Canada essay as the reason my art show should not get Canadian government support. (This is an infringement of my charter right to freedom of expression.)

Fri, 2011-07-29 11:37Richard Littlemore
Richard Littlemore's picture

Artist Franke James has Harper quaking in fear

If Canadian Prime Minister Stephen Harper is this frightened, then we can only assume that the visual artist from Toronto, Franke James, is THAT scary!

As reported most recently in the Toronto Star, the Canadian government - so often now referred to as the “Harper government” - stands accused of trying to block a presentation of James’s art in capitals across Europe. And in a way, who can blame them? The official Canadian position these days is that toxic stuff is good for you (or good for us - and who really cares about you?). Whether it’s “ethical oil” dredged out of the tar sands in one of the most environmentally damaging variations of any oil exploitation, or asbestos, peddled to any impoverished nation still so desperate as to use it, Canada is officially in the poison-for-profit business. When some lippy woman stands up and suggests that this is a bad thing, it makes the government look - well, like shills for dirty industries - and it compromises the chances that those dirty industries have of enjoying even greater profit. No wonder Stephen Harper’s henchpeople refer to James as “that woman!”

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